“This year the artist’s memorial exhibitions coincide with a contentious period in the nation’s history, taking place in the months leading up to the presidential election. Recognising the importance of this moment, Thenuwara draws parallels between the ‘political dementia’ of today and the narratives that have emerged in the past during periods of political instability.
“In ‘Meta-Real’ Thenuwara reaches back in time to depict landscapes of destruction in the aftermath of the 1988-1989 ‘Beeshanaya’, inviting a contemplation into the trajectory of Sri Lankan history and drawing focus on the issues that continue to remain unresolved. The imagery of a cut-down tree, a blocked road, spread-out lifeless bodies and destroyed electricity wires exist within an atmosphere of stillness. Through an array of classical genres and mediums, including drawings, still-life paintings, figurative paintings and a sculptural object, Thenuwara offers perspective as well as commentary, encouraging the audience to reevaluate the narratives that govern our socio-political climate and be reminded of the weight of history,” a press release from the Saskia Fernando Gallery said.
In an interview with Groundviews, Prof. Thenuwara discusses the importance of the exhibition series and its themes.