‘Full Dots’ at Dots Bay Hiriketiya presents a cross section of artist Muvindu Binoy’s extensive digital practice. Binoy's artistic repertoire finds expression in captivating collages, seamlessly blending fragments of popular culture artifacts with sepia-toned relics from the colonial era of Ceylon. These juxtapositions serve as poignant vignettes, encapsulating the collision of past and present, tradition and innovation. Each composition is meticulously curated, framed by soft, pastel-hued geometries reminiscent of digital iconography, evoking a sense of contemporary familiarity amidst historical reverie. Through this deliberate choice, he not only engages with contemporary visual lexicons but also critiques the homogenizing influence of digital culture on individual expression.
Full Dots will be showing at Dots Bay House Hiriketiya till the 15th of April.
Muvindu Binoy is a self taught artist and independent filmmaker. As a digital artist, Binoy works with different subjects facing the Generation Y of Sri Lanka, using the letter ‘Y’ as a pun for his questioning of character and integration of the reality experienced in his artistic outcome. His artistic gaze is firmly fixed on the generational landscape, dissecting themes of gender dynamics, individual agency, and the perpetual tug-of-war between entrenched traditions and the liberating ethos of the digital epoch.
Binoy's artistic repertoire finds expression in captivating collages, seamlessly blending fragments of popular culture artifacts with sepia-toned relics from the colonial era of Ceylon. These juxtapositions serve as poignant vignettes, encapsulating the collision of past and present, tradition and innovation. Each composition is meticulously curated, framed by soft, pastel-hued geometries reminiscent of digital iconography, evoking a sense of contemporary familiarity amidst historical reverie.The square format, a subtle nod to the standardized aesthetics of social media platforms like Instagram, serves as Binoy's canvas of choice. Through this deliberate choice, he not only engages with contemporary visual lexicons but also critiques the homogenizing influence of digital culture on individual expression.
In essence, Muvindu Binoy emerges as a harbinger of socio-cultural introspection, using his artistry as a vessel to navigate the turbulent waters of generational identity, societal transformation, and the relentless march of technological progress. Through his evocative collages, he not only captures the zeitgeist of contemporary Sri Lanka but also invites viewers to contemplate the intricate tapestry of their own cultural narratives in an increasingly interconnected world.
