In Stick No Bills, Hashan Cooray’s latest body of work, he focuses on a selection of posters stripped from the public walls of Colombo. The sourced images, taken from their original posts, illustrate a critical mixture of politics, consumerism and social critique and eventually make their way to his digital and painted canvases. Here, they move from one type of public display to another, filtered through Hashan’s discerning gaze as they become interwoven with the pigments of his iconic portraiture work.