Anupa Perera's (b. 1979, Kurunegala) practice is primarily focused on still lives that takes an unconventional approach to explore themes of resilience and conflict. His compositions are defined by the deliberate integration of seemingly unrelated objects—random memorabilia and everyday items that defy conventional associations. This lends each composition a playful unpredictability that creates a sense of intrigue. The artist often incorporates militaristic objects into his composition in subtle commentary as the dissonance offers a poignant reminder of the lingering and insidious effects of conflict. Perera engages the viewer with peculiar and contrasting combinations and compels audiences to examine the works more closely in order to decipher the multiple layers of meaning and intention.
Perera adopts the techniques and sensibilities of the Renaissance masters with a contemporary flair to critique the socio-cultural dilemmas of Sri Lanka. This approach positions his still-life compositions as both reflective of specific cultural moments and relevant to wider, shared human experiences. His approach to the still life both honours and deftly subverts the conventions of the medium.
Perera’s work has been featured in both group and solo exhibitions at Colombo Art Gallery, Colombo (2021); JDA Perera, Colombo (2018); the Lionel Wendt Art Centre, Colombo (2024, 2022 and 2018); and Lanka Arts Council, Colombo (2008).